Friday, February 29, 2008
Thursday, February 28, 2008
Live Art Unpacked at Centre d'Art Contemporain, Geneva
Wednesday, February 27, 2008
free culture camp
corporations. The instrumentalisation of art and culture for economic
gain is an invasion of our life worlds that needs to be addressed and
countered. We will produce with lust for life and dance on the graves
of the bloodsuckers from the creative class and the experience
economy.
Free culture is a 3 day camp in rum46. Events and talks will be mixed
with performance, production and group works. It will be a live-in
environment for cultural production, and exchange between academics,
artists, social movements and a participating audience. Welcome!
Artists/participants:
Sine Bang (DK), Kayle Brandon (UK), Kristine Briede (Latvia), Adams &
Itso, Field Work (DK), Groupwork/Students from the Art Academies (DK),
Andreas Wegner (D/AUS), Henrik Moltke (DK), Amy Balkin (US), YNKB
(DK)
Time: CAMP: 28th of February-1st of March 2008, open to all.
Exhibition: 1st - 16th of March
Place: rum46, Århus, Denmark (www.rum46.dk)
Organizers: Field Work (Lise Skou and Nis Rømer) in collaboration
with rum46
Web: http://field-work.dk/freeculture
Monday, February 25, 2008
Live Art under Threat
read on - http://www.theherald.co.uk/search/display.var.2032090.0.rsamd_freezes_leading_course_as_part_of_drive_to_save_600_000.php
Wednesday, February 20, 2008
Residencies at The Institute for the Art and Practice of Dissent at Home
CALL FOR PROPOSALS AND RESIDENCIES
The Institute for the Art and Practice of Dissent at Home is now open for visits, project proposals and residencies.
The Institute for the Art and Practice of Dissent at Home is a space for dissenting the Capitalism of Culture and has been set up to coincide with Liverpool 08, European Capital of Culture.
The Institute for the Art and Practice of Dissent at Home is run by twoaddthree (Gary Anderson, Lena Simic add Neal, Gabriel and Sid) from a council property bedroom in Liverpool, with the annual running budget of £2, 857.10 (10% of twoaddthree's combined annual net income, i.e. two 0.5 lectureship salaries, some freelance work, tax credits and child benefit). We are interested in DISSENT and would like to, in collaboration, discuss and research homemade aesthetics, the private/the public, the familial, class and money matters.
We are a very small home-run initiative. In addition to food and accommodation, we can afford to pay each visiting artist/cultural activist/collective/grouping etc. a very limited amount, with the top amount being £238.09.
When applying please outline (in no more than one page of A4 – having three kids, part time jobs and running The Institute for the Art and Practice of Dissent at Home is an extremely demanding business):
• What you would like to do at the Institute for the Art and Practice of Dissent at Home
• How long you would like to stay (old Balkan saying goes: Svakog gosta tri dana dosta! Each guest is enough after three days – but we are flexible and easy to persuade). And please don't forget to tell us when.
• How your project relates to DISSENT (and/or homemade/DIY aesthetics, family matters, home, private/public)
• Budget
Short bio (300 words max) and links is a plus but not essential!
Please send it all as an attachment to theinstitute@twoaddthree.org, with subject line: RESIDENCY
Alternatively post your application to
The Institute for the Art and Practice of Dissent at Home
7 Bright Street
Liverpool
L6 1DL
UK
Thank you
twoaddthree
www.twoaddthree.org
Saturday, February 16, 2008
Surplus - The Film
Watch it for free here
http://quicksilverscreen.com/watch?video=28538
Friday, February 15, 2008
Thursday, February 14, 2008
I Am A Think Tank
I am a Think Tank gives you the chance to express your socio-
political opinions to a wider audience
through a range of processes including performance, interventions and
happenings.
The group will meet every Tuesday from 5-7pm from the 26th February
for 10 weeks to discuss
political issues that affect you and your communities. Leading the
project is artist Richard
DeDomenici (http://www.dedomenici.co.uk/) and a selection of invited
guests including urban
climbers, journalists and musicians with the aim of actively bringing
awareness to the issues
affecting the group.
How to take Part
We are currently recruiting people aged 16-25 to take part in this
project. If you would like to get
involved please email Sam Trotman or call 020 7247 5102 before 23rd
February.
For more information check out
http://www.artsadmin.co.uk/projects/project.php?id=205
Hazard - call for proposals
Hazard08 – Saturday 12 July 2008 – Manchester City Centre
produced by hÅb and greenroom in collaboration with the participating artists.
A micro-festival of incidental intervention and sited performance, with a hint of mischief!
Chance encounters, random occurrences and risky ventures around and about the city centre.
Cheeky, thought-provoking + sometimes raunchy sprees of eccentricity…
Hazard07 was a pilot event, produced on very limited resources and thanks to the goodwill and collaboration of a vast number of people.
It saw 17 pieces of new original work across 2 days involving 32 artists, 23 participating young people and conservatively calculated audiences of 12000. Participating artists were: Action Hero, Angel Club North, The Bucket Company, Caution Horses, CHIRP, Richard DeDomenici, DIRECT ACTion, Doldrum Theatre, Shahram Entekhabi, Escape Theatre, The Fictional Dogshelf Theatre Company, Jamie Fletcher/Ellie Harrison, MANDY ROMERO, Shabnam Shabazi, the vacuum cleaner.
Work presented ranged from wrapping a public space in 2.5 kms of Hazard tape, to shop window burlesque, dry-wipe graffiti to mass yawning.
For a glimpse of what went on go to: www.myspace.com/hazardmcr
Largely playful and often mischievous, the work did not shy away from the confrontational or controversial but broached it in the public domain, bringing Market Street to a halt on several occasions and with swathes of yellow and black tape making their mark on the entire city centre.
In 2008 we are seeking to do it again – this time condensing our efforts into a single day to take-over the city centre.
We are now looking for proposals of work:
As a guideline, we really want to focus on work that intervenes in public spaces in the city centre, largely daytime and that people come across by chance rather than demanding a booked, fixed audience. We are interested in work that is socially engaged, and/or conceptually motivated, low or no-tech and pretty self-sufficient – so we're not, at this stage, looking for big site-specific spectaculars.
We will give brownie points for creative engagement with the idea of Hazard and/or use of yellow and black tape!
In addition to the general call for proposals of work, there are also a number of specific opportunities:
- A 'launch' event that focuses on and draws attention to the event.
- Public Screens - this year we would like explore use of large format screens in the public domain – for a series of short pieces, produced either in advance on mini-dv or, live-to-camera performances. This is not a call for proposals for high-tech video productions but to think creatively about the performative use of public screens for intervention. Ideas might include:
- a series of short trailers in advance of the event
- a series of short mini-dv video pieces,
- interactive pieces with a live camera on the 12th
Hazard will be programmed by Tamsin Drury of hÅb and Garfield Allen of greenroom. We will select from proposals from this call and other research, to put together the best possible programme of work for the event. There are no fixed criteria aside from the guidelines above and the feasibility/legality of the ideas for realisation in the public domain. Fundraising is currently underway and we aim to be able to pay reasonable artist expenses.
This year we've put together a form for proposals, just to make sure we get roughly the same details from everyone.
Please don't be put off – it's not long or bureaucratic!!
To submit an idea please complete the form attached and e-mail to: hazard@habarts.org
By 7 March 2008
Forms also available at: www.myspace.com/hazardmcr
Tuesday, February 12, 2008
Live Art workshop at Tate Modern: around Doris Salcedo's Shibboleth
Saturday 8 March 2008, 10.30–13.30
This workshop, conducted by artist activist the vacuum cleaner will concentrate on the body as a site for political resistance taking as inspiration Doris Salcedo's Shibboleth. Issues such as the ability of art to address the long legacy of racism and colonialism underlying the modern world will be tested with physical and conceptual tools during the workshop.
The vacuum cleaner is a cultural resistance collective pursuing radical social and ecological change. By working in-between the poetics of art and the pragmatics of activism the vacuum cleaner attempts to disrupt concentrations of power and reverse our journey towards ecological collapse.
£50 (£35 concessions), booking required
or call 020 7887 8888.
Monday, February 11, 2008
The Influencers festival / Barcelona, February 28-29-1 March 2008
Festival of media action and radical entertainment
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*February 28-29-1 March 2008*
Center of Contemporary Culture Barcelona
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with ALAN ABEL, ALTERAZIONI VIDEO, SANTI CIRUGEDA, BRODY CONDON,
LAIBACH, MONOCHROM, TREVOR PAGLEN
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program: http://www.theinfluencers.org
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Welcome to 4th edition of The Influencers, the talk show you won't see
on TV!
The Influencers explores controversial forms of art and communication
guerrilla, presenting independent projects that play with global
popular culture, infiltrate the mass media, and transform fashions,
consumption and technological fetishism.
The key to The Influencers is found in its guests and stories:
impostors, pseudo-totalitarian musicians, conceptual hackers, deviant
geographers, anarchitects and actors from invisible theatre. In these
three days they are going to present their work, show known and less
known material and speak with the public about challenges, goals and
strategies.
With The Influencers, the border between disciplines is erased (since
the message really is the message, and the medium is just a tactic),
links between apparently distant projects are found, and bold
genealogies are drawn between different countries and generations.
Ambiguities are also explored and contradictions are discussed. In the
manipulation of everyday symbols, as well as within what is excessive
and politically incorrect, we will possibly find inspiration for
changing the present and imagining the future.
See you all in Barcelona!
